[Ralph] Ellison has both more and less faith in myth than
Eliot. ... Myth is not merely a literary device; it operates in
people's minds and in society on a daily basis. This is where the
more personal side to Ellison's experience of myth comes in, because
of his personal contact with jazz musicians, most notably the great
guitarist Charlie Christian. ... The ancient myths that de
Tocqueville was referring to are present sometimes, but only as
provisional and perhaps as objects of satire. When the narrator [of
Invisible Man]
emerges from his lobotomy, for example, we are told 'I felt I
would fall, had fallen', and then almost immediately see 'a young
platinum blonde nibbl[ing] at a red Delicious apple'.
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