I find the reputation
of this one a little baffling. It seems to me to consist of an
entirely ludicrous and hackneyed story of music and obsession that
fails to cohere with an equally ludicrous crime story that swiftly
drains itself of any tension or intrigue whatsoever. Not that I have
anything against the ludicrous, but I can't see the glorious excesses
and excitements that supposedly justify it (though I quite enjoyed
the scene about buttering baguettes and the thugs are entertaining
enough). If Pauline Kael really did compare Beineix to Orson Welles,
that has me all the more baffled. I think a well-chosen episode of
Columbo would have more of
everything this film is trying to achieve.
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by Dominic Lash
musical activities: dominiclash.blogspot.co.uk
academic writing (mostly on film): bristol.academia.edu/DominicLash
Tuesday, September 12, 2017
Diva (Jean-Jacques Beineix, 1981)
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