If only every Brian De Palma film was like this. Sure, this one too has all the ingredients that everybody who loves his films always goes on about: Hitchcock pastiche; a recycling of familiar elements poised between parody and celebration; sheer abundant excess. But usually, for me, although the mixture passes the time well enough I end up with the feeling that said time would have been better spent with one of De Palma's sources instead. But not this time - sure, it's not actually better than any of the films it would love to be, but it contains genuine pleasures, laughs that aren't just smug excuses for really committing to anything, and a couple of authentic shocks. (And getting Hermann on board for the score was quite a coup.) Margot Kidder's French Canadian gives quite the performance; sure, one couldn't - and wouldn't want to - treat mental ilness this way nowadays, but it's not only used to give us a thrillingly delirious ride. The film also drops us off in an interesting place, very strangely poised between satisfaction, frustration, and bewilderment. |
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